An Interactive Annotated World Bibliography of Printed and Digital Works in the History of Medicine and the Life Sciences from Circa 2000 BCE to 2022 by Fielding H. Garrison (1870-1935), Leslie T. Morton (1907-2004), and Jeremy M. Norman (1945- ) Traditionally Known as “Garrison-Morton”

16018 entries, 14076 authors and 1941 subjects. Updated: July 14, 2024

GAUTIER D’AGOTY, Jacques Fabien

4 entries
  • 398

Essai d’anatomie en tableaux imprimés, qui represent au naturel tous les muscles de la face, du col, de la tête, de la langue & du larinx. d'après les parties disséquées & préparées par Monsieur Duverney....comprenant hit grandes planches.

Paris: Le Sieur Gautier, 1745.

Remarkable for its striking mezzotints printed in color. Digital facsimile from the Internet Archive at this link.

Subjects: ANATOMY › 18th Century, ANATOMY › Anatomical Illustration, ART & Medicine & Biology
  • 7491

Anatomie de la tête, en tableaux imprimés qui représentent au naturel le cerveau sous différentes coupes, la distribution des vaisseaux dans toutes les parties de la tête, les organes des sens et une partie de la névrologie, d'après les pièces disséquées et préparées par M. Duverney, en huit grandes planches dessinées, peintes, gravées et imprimées en couleur et grandeur naturelle....

Paris: Le Sieur Gautier, 1748.

Includes eight spectacular plates printed in color by Gautier d'Agoty with text by Duvereny. Digital facsimile from the Internet Archive at this link.

Subjects: ANATOMY › 18th Century, ANATOMY › Anatomical Illustration
  • 7492

Anatomie generale des visceres, et de la nevrologie, angeologie et osteologie du corps humain, en figures, de couleurs et grandeurs naturelles dediée et présentée.

Paris: L'Auteur, 1754.

Includes 18 full-page color-printed mezzotints, 12 of the plates designed to fit together in threes to make four life-size human figures. Gautier credited Mertrud, the King's Surgeon with some of the anatomical work in this volume.

"Gautier's pictures seem to us to be in the tradition of the early gravida illustrations and the figures of Berengario and Charles Estienne—often attracting attention through sexual emphasis; dissected parts were placed within a living body usually possessing a lively face, whose expression is sometimes quizzical, sometimes erotically inviting, sometimes serene, always with a romantic and elegant hair-style. In one of Gautier's plates there are two naked women, one standing with emphatic breasts and issected pregnant uterus, the other sitting at her feet with open thighs so disposed as to exhibit her external genitalia. Such erotic figures may have also played a useful role in the sex education of physicians and others; they may be contrasted in their romantic extravagance of feeling with the matter-of-fact illustration in William Smellie's work (1754) an illustration that was often torn out by nineteenth century bowlderizers. (Most previous illustrations of this area, such as those of Leonardo or Vesalius, were remarkably inaccurate). The Gautier figures could, within the confines of anatomy, be quite tender, as in the fine plate in Anatomie générale...of a new born child, asleep but dissected, lying close to the recently-delivered mother, whose uterus has been opened for display" (Roberts & Tomlinson, The fabric of the hody [1992] 524-25).

Digital facsimile from at this link.

Subjects: ANATOMY › 18th Century, ANATOMY › Anatomical Illustration
  • 7494

Der Vierfarbendruck in der Gefolgschaft Jacob Christoffel Le Blons mit Oeuvre-Verzeichnissen der Familie Gautier-Dagoty, J. Roberts, J. Ladmirals und C. Lasinios. By Hans Singer.

Monts. f. Kunstwiss.,10, 177-199, 281-314, 1917.

Subjects: ART & Medicine & Biology, BIBLIOGRAPHY › Bibliographies of Specific Subjects